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Inspired by MoMA’s summer-long film series "Horror: Messaging the Monstrous," we spoke with scholars Ashlee Blackwell, Kali Simmons, and series co-organizer Caryn Coleman about their formative horror movie moments, moving beyond the slasher film, the “final girl,” and the genre’s long-overdue journey toward inclusion both on screen and behind the camera.
Caryn Coleman is a film curator and found of The Future of Film is Female. Kali Simmons is an assistant professor of Indigenous Nations Studies at Portland State University. Ashlee Blackwell is a writer and producer, known for Horror Noire: A History of Black Horror (2019).
CW: This video includes violence, blood, and scenes of assault.
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The comments and opinions expressed in this video are those of the speaker alone, and do not represent the views of The Museum of Modern Art, its personnel, or any artist.
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